VOICES FROM THE COMMUNITY:

The visionPDX Input Report

URBAN LIVABILITY:
Cultural Opportunities

 


back  |  next

     

People imagine Portland becoming a regional cultural hub for the Pacific Northwest.

Section Summary

Portland is felt by many to “pack a lot of culture into a relatively small city,” although others feel that Portland should have a much more vibrant artistic and cultural scene. Portlanders value being able to access artistic and cultural events in the downtown as well as within their neighborhoods and would like to see even more neighborhood and community-based cultural endeavors. They value the city’s vibrant music, film, literary and theatre scenes and imagine these becoming even more vibrant and well-known in coming years. However, there are fears that our collective appreciation for art and culture will dissipate over time if music and arts aren’t reintroduced into public school curricula. There is also a call for “more events that bring members from all communities together” and more opportunities to highlight the arts and culture of ethnically diverse groups.

Notes: This chapter refers to arts and culture broadly, as well as access to artistic and cultural offerings. For views on Portland’s unique cultural identity as a city (e.g. Do It Yourself or "DIY" culture, biking culture,) please see Urban Livability: The People.

There is substantial overlap between this chapter and Urban Livability: Entertainment, as many artistic and cultural offerings are enjoyed as forms of entertainment. However, that chapter covers other forms of entertainment such as sports and late-night entertainment while this chapter covers some forms of artistic and cultural expression not commonly thought of as entertainment.

Summary of Main Ideas

  1. Portlanders want access to diverse and innovative forms of artistic and cultural expression.
  2. Portland should aspire to regional excellence in creative endeavors.
  3. People want Portland to become a national leader in community support for the arts.
  4. Arts and culture must be present in schools.
  5. Ethnically diverse groups need more support for their arts and culture.

MAIN IDEAS

  1. Portlanders want access to diverse and innovative forms of artistic and cultural expression.
  • Many Portlanders cite with appreciation the abundance of artistic and cultural opportunities currently available downtown and in some of the city’s neighborhood districts. Particularly cherished are:
    • Cultural activities in the commons such as Festa Italiana and Salsa en la Calle;
    • Outside performances, such as concerts in the park and free rehearsals of the Oregon Ballet Theatre orchestra; and
    • The city’s vibrant literary, theater and film scenes.
  • Many respondents call for even more access to artistic and cultural offerings in neighborhoods as well as better public transportation to connect them to artistic offerings downtown.
  • Portlanders want art and culture to surround them in their daily lives and call for:
    • More public art all over the city and not just downtown;
    • More affordable museum access;
    • More cultural festivals;
    • More museums; and
    • More grassroots, community and neighborhood-based art.
  • A smaller number of respondents also cite the need for art that pushes boundaries, calling for public art that is “less politically correct” and more daring and inspirational.
  • A number of respondents would also like to see more diverse audiences for the arts, including more ethnic and socio-economic diversity among artistic and cultural event atendees.
“[What I value most is] the Farmers’ Markets, park events, music events: you can be exposed to culture and art even without having to spend a lot of money.”

"The presence of public art throughout the city will help to broaden the populace and will inspire an open dialogue between the citizenry. Art begets art, so this increase will likely translate into more attendance at theatre, concerts, and dance performances throughout the area.”

Sample Strategies:

  1. “Provide ways that the everyday person can afford to attend live theater. In New York City, the Theater Development Fund makes it very affordable to visit the theater.”
  2. “Our great arts and cultural events need to be more readily exposed for the general public to peruse and pick from. We need a great clearinghouse to post all events in the city—posted by categories.”
  3. Create a “Free Museum Day” once a month or provide discounted entry to people who use public transportation.
  4. Improve public transportation so individuals in outlying areas can more easily access artistic and cultural offerings.
  5. Put high-quality murals inside public buildings and on public transportation, replacing advertising.
  6. Have libraries open for longer hours to promote book readings, literary events and other neighborhood artistic and cultural activities.

  1. Portland should aspire to regional excellence in creative endeavors.
  • A number of respondents voice the opinion that Portland could have an even more dynamic artistic and cultural scene.
  • These Portlanders call for more artistic risk-taking as well as greater levels of community support for the arts.
  • A few respondents imagine Portland evolving into a sought-out destination for high-quality artists and performers from all over the world. They would like Portland to attract “big names” in theater, music and the visual and performing arts.
  • Others imagine Portland becoming a national leader in arts and culture, while an even larger number imagine Portland becoming at the very least a regional center of excellence in arts and culture.
“[I would like to see] a bustling art scene that is more cutting edge and avante garde than the boring stuff I see in most galleries in the Pearl right now.”

“I see Portland as a major cultural destination in 20 years.”

“[In 2030] Portland is known as the exemplary creative center in the Northwest, just as it set an example for Public Art innovation early on. Because Portland is known as a creative, innovative, center, it draws creatively intelligent business people and tourism.”

Sample Strategies:

  1. More museums, including a museum of modern art that rivals that of San Francisco.

  1. People want Portland to become a national leader in community support for the arts.
  • There are many calls to better support arts and culture at all levels and from all sectors, including corporations, the local government, philanthropists and community members.
  • Many people see support for a “culture of creativity” as essential to maintaining Portland’s desirability as a place to live and do business.
  • There appears to be strong support for the “One Percent for Art” program, with many respondents citing this as an essential tool for keeping the arts alive in Portland.
  • A number of respondents request more support for small theater groups and lesser-known artists, including affordable/adequate performance space, gallery space and live/work space.
“[In 2030] there would be music and theater going on all over, on the streets and in public and private places. And that music and theater would be supported by government at all levels and by businesses, as well as by the audiences.”

“Create programs that nurture local small business, local artists, local visionaries, instead of trying to lure big industries here to create jobs – we can create our own and ultimately have much more stability.”

Sample Strategies:

  1. “The one percent for art: include musicians and other performing artists, not just public sculptors, as beneficiaries of that.”
  2. “Please have the city give rent to artists…and fill all the vacant buildings and store fronts—especially along Fremont 20th-82nd and Glisan (MLK to 122nd). Blank store areas promote crime yet artists would put energy and creativity into a neighborhood community…”
  3. Support individual artists (not just nonprofits or groups) with funds for projects. Create small grants so individuals can put into action their visions for a better neighborhood or community.

  1. Arts and culture must be present in schools.
  • A number of respondents noted that early exposure to arts in the schools builds a lifelong appreciation for arts and culture in students, as well as fostering students’ own creative abilities and talents.
  • Many respondents expressed concern that tomorrow’s corporate, philanthropic and community leaders will place less emphasis on supporting the arts if they are not exposed to the arts as children.
  • Including the arts in school curriculum is essential to maintaining our cultural and creative vitality into the future.
  • Some respondents noted that the arts must not only be present in schools, but must be well-integrated into school curriculums for maximum benefit to students and the community.
“The arts programs are being cut from schools, which I believe is devaluing creativity, diversity, and culture.”

“The children are the future. They need to be exposed to the arts as it relates to the cultures of the world and interrelates to the curriculum in the schools. Only then can we be sure there is a true appreciation of the talents in our city…”

Sample Strategies:

  1. Provide tax breaks for artists who volunteer in the schools.
  2. “Find a way to include artists in the teaching staff who are accomplished in the field but may not have teaching degrees.”
  3. “Advocate for the role arts, education and the economy play together, not independently. A ‘good’ kind of co-dependence.”

  1. Ethnically diverse groups need more support for their arts and culture.
  • A number of respondents call for more cultural activities that appeal to minority populations. Specifically, more movies, plays, restaurants and cultural festivals catered to African Americans, Native Americans, Asian Americans and other ethnic minorities.
  • There is also a need to provide greater financial support and visibility to artists, performers and cultural creatives from diverse ethnic communities. A handful of respondents specifically mention the need to provide greater support to Native American and African American artists.
  • Many respondents see arts and culture as a means of generating greater understanding and acceptance between members of different ethnic, socioeconomic and cultural groups.
"I would also like to see more interaction between the city’s diverse cultural and social pockets, resulting in creative projects that bridge economic racial, and cultural divides.”

Sample Strategies:

  1. Host a Juneteenth Festival on the waterfront similar in size and scope to the Cinco de Mayo Festival.